A Feast of Flight’s third annual pole dance production presents a twist on the classic “The Wizard of Oz”, as we follow Doug on a journey to complete transformation after running for number one spot in the Emerald City Drag Race. This July join Doug on a trip down the yellow brick road and meet all the weird and wonderful characters he runs into along the way.

From his encounters with the Scarecrow, the Tinman and the Cowardly Lion, to Glinda the Diva of Oz, the Wicked Witch and the Wizard; Doug experiences a new lease on life when he realises his true self, Doris. A Feast of Flight is a one of a kind extravaganza created and produced by The Pole Project (in Woodstock), presented in collaboration with instructors and students from numerous studios around the city: AIR Fitness Studio (in Bellville), Pole Dance Cape Town (in the CBD), Vertical Secrets (in Table View) and Wild Pole Flow Movement (in Bergvliet).

The first of its kind, A Feast of Flight 2017 was a contemporary play on Lewis Caroll’s Alice in Wonderland, where we followed Alistair down a rabbit hole of dubious choices and bad influences until he eventually slayed his "jabberwocky" demons. In 2018, we met the peculiar confectionary maven, Willy Wonka and his famous Oompa Loompas as we followed five competitors battling it out to be the new “face” of the brand.

This year’s show is set to be just as fabulous as years past and the storyline just as quirky. Director of A Feast of Flight and owner of The Pole Project, Kathy Lee, says; There’s no shortage of familiar classic stories and fairy tales to choose from when we start conceptualising a theme.

The trick is to choose a storyline that can be updated to be made more accessible and relevant to a modern-day audience, but that’s also fun and creative to keep the audience enthralled. This year, ‘The Wizard of Oz’ came to mind”. “Of course, every production has its challenges. Trying to bring a story to life through dance and costumes alone is not an easy task.

Then it’s trying to coordinate routines and intense practice sessions between five different studios and performers who are just everyday individuals with full-time jobs. I believe that it is our extreme passion and determination that allows us to produce such a professional production year after year”, Lee continues.

Of the growing contribution of studios from across the city Lee says, “A Feast of Flight was essentially created in order to promote and showcase the artistic and athletic side of pole dance, because not many people regard the art form as such. And it was an opportunity for our students to show off their strength and abilities in front of a captivated audience. However, the event has grown to such an extent that we now have a number of studios on board that share the same vision. The fact that we have other studios expressing an interest in taking part each year is a real testament to the ever-expanding pole dance community and to what we’ve created”.

A Feast of Flight: Doris and the Wizard of Oz will take place on Friday, 26 and Saturday, 27 July from 7pm at the Joseph Stone Auditorium, corner of Protea and Klipfontein Roads in Athlone. Tickets for the event cost R255 per person and can be bought via Quicket (https://qkt.io/doris). Drinks and snacks will be on sale at the event. There will be secure parking provided around the Stadium. The show contains adult themes and parental guidance is advised.

Follow the event on Facebook at https://www.facebook.com/events/2231347646955118/ or follow The Pole Project on Facebook @The Pole Project, Twitter @thepoleproject and Instagram @thepoleproject.

For more information contact The Pole Project on 021 461 0215, This email address is being protected from spambots. You need JavaScript enabled to view it. or visit www.thepoleproject.co.za.

Nando’s joins the Loeries to celebrate design Design from Africa and the Middle East finally gets the recognition it deserves with the expanded Nando’s Design category at the Loeries in 2019. This year’s category has been extended to recognise design from a much broader range of creative professionals. “We’ve expanded the design category beyond only brand communication to include areas of design such as retail furniture and product design, fabric, wallpaper, lighting, architecture and interior design, and even the design of signage programmes,” says Loeries CEO Andrew Human. He adds that the Loeries has long been recognised as the highest accolade in advertising and brand communication.

“A strong design award has been lacking for our region and this is a great opportunity for all designers to showcase their work and achieve recognition.” Design is woven into the Nando’s DNA, making Nando’s a natural partner for the Design category. “Design and creativity have been an intrinsic part of the Nando’s way of doing business.

Nando’s is the first local brand to collaborate with local designers at the scale it does,” says Deirdre King, Nando’s Brand Experience GM. She adds: “Putting our support behind the design community is important to doing business well. Our PERi-PERi power has charted new paths and careers for many local artists and their art. Putting that same fire behind the extended Design category for the 2019 Loeries gives us a chance to spice things up for the wonderful designers who will imprint their names onto this exciting category. According to Gaby de Abreu, Loeries board member and creative head of Switch Design, the awards are invaluable because they offer a chance for designers to showcase their work to a far greater audience.

“The Nando’s Design category at the Loeries is an opportunity to showcase excellence across disciplines in countries throughout Africa and the Middle East. For independent designers, it’s a unique chance to achieve recognition across the industry, reaching creatives internationally,” says de Abreu. “For a furniture designer working in an independent workshop or a graphic designer outside of the agency network, this year’s Loeries offers a chance to show the world what you’ve achieved,” he adds. The Nando’s Design category at the Loeries is open to designers across all the main disciplines. The entry deadline is 15 May and more information can be found on loeries.com.

About Nando's: While proudly South African, Nando’s is an international flame-grilling, PERi-PERi chicken restaurant group. We offer a twist of Afro-Portuguese with an upmarket and comfortable dining experience. Two friends, Robert Brozin and Fernando Duarte, opened the first Nando’s in 1987 in Johannesburg, South Africa. All Nando's PERi-PERi chicken is marinated for 24 hours, locally sourced and never frozen, ensuring our customers only get the finest flavours.

Our unique PERi-PERi recipe includes herbs, spices, garlic, lemon juice and bird’s eye chilli. Nando's authentic PERi -PERi has captivated its customers all over the world, making it the largest South African restaurant group to expand internationally. DEADLINE FOR 2019 LOERIES ENTRIES EXTENDED TO MAY 31 About Loeries Africa Middle East: The Loeries, a non-profit company, is Africa and the Middle East’s premiere initiative that recognises, rewards, inspires and fosters creative excellence in the brand communication industry.

As the highest accolade for creativity and innovation across our region, the Loeries promotes and supports creativity by helping marketers, agencies and consumers appreciate the value of ideas and fresh thinking.

Culminating in the biggest creative gathering in Africa and the Middle East, Loeries Creative Week Durban brings together the best innovative minds from our industry for a festival of networking, inspiring minds and recognising great work. Our region's creative economy is world-class and has great potential to grow and to offer employment both to our talented youth. The growth occurring throughout Africa and the Middle East is very exciting, and a major focus of the Loeries is to increase the standard of brand communication in the region.

Major Partners of the Loeries: DStv Media Sales, Gearhouse Category Partners: AB InBev, Barron, Brand South Africa, Facebook, Gagasi FM, Google, JCDecaux, Nando’s, Tsogo Sun, Woolworths Additional Partners and Official Suppliers: AAA School of Advertising, Antalis South Africa, Aon South Africa, Backsberg, BEE Online, First Source, Fresh RSVP Guest Logistics, Funk Productions, Gallo Images, Grid Worldwide, Hetzner, Mama Creative, Newsclip, Paygate, Rocketseed, Shared Value Initiative, Shift Social Development, Vega School, VQI Communications Nigeria Endorsed by: Association of Communication and Design, Brand Council South Africa, Commercial Producers Association, Creative Circle, EXCA, IAB, South African Institute of Architects, IID Official Media Partners Between 10and5, Bizcommunity.com, Book of Swag, Brand Communicator Nigeria, Business Insider by Pulse, Campaign Middle East, Film & Event Media, Modern Marketing The Redzone. Twitter: @loeries Instagram: Loerieawards Facebook: The Loeries

Distributed on behalf of the Loeries by: Riana Greenblo Communications: 011 3256006

For more information, interview requests or high-res images please contact: Gina McLoughlin: 0113256006 (mornings only)or This email address is being protected from spambots. You need JavaScript enabled to view it. Riana Greenblo: +27 82 5675159 This email address is being protected from spambots. You need JavaScript enabled to view it.

Bhagwan Gave Me This Life The return of a HIT play, in Hindi.

Bhagwan Gave Me This Life was written and directed by well-known theatre veteran Vivian Moodley and is brilliantly performed by Pranesh Maharaj.

Billed as a Hindi play, it is performed in the unique Durban patois that developed from Hindi, with smatterings of English and isiZulu. Set in Inanda in 1981, the drama focusses on the life reflections of a widower Balram. “Vivian had a script in his hand that he wanted me to read. I lunged at it, to get back to him a day later and say that I'll do it. That's when he gave me the ultimate twist in this production: He wanted me to perform it in Bhojpuri (Nataalie Hindi). The Producers at the time were not convinced that a theatre piece in Hindi, in this day and time, would ever work. To be honest, I was not convinced either. Then Vivian and I got to carving this piece of art and four weeks later it was ready to open. That full house and standing ovation on the opening night is what gave us hope. Hope that this kind of serious theatre has a place in this country and in this world. We made some promises back then about taking the play around... well, we are back.” - Pranesh Maharaj. 

The sight of those wood and iron, or tin houses as they were known, evoke strong feelings for many people. The corrugated walls, wooden doors with patterned glass panels, sash windows and the verandas with lush coastal vegetation around them speak of a bygone era, although many of those same houses are still standing today. We find a disconsolate Balram, snoozing on an upholstered car seat, propped up against the wall. He is not sleeping peacefully – his dreams recall the tragic dramas of his life and when he awakens, it is to find himself still alive – and alone. Loneliness is the biggest enemy that elderly people have to overcome – and when they have had a life surrounded by family members and the community, it can be a hard pill to swallow. We watch Balram struggle as an ageing man, portrayed with great sensitivity and authenticity by the much younger Pranesh, go through some of the daily rituals that help his day pass. He prays by the shrine, fills the upturned wheel rim with water for the birds and takes a nip of cane spirits from a small bottle hidden in a safe box. There are other treasures in that box and the sight of them bring to mind memories of his youth. The anklets with bells and the silver headdress that were worn by his wife, recall his first meeting when he was a shy young man in the marriage market. With amazing skill and expertise, Pranesh paints the portraits of the eccentric aunts that acted as marriage brokers, as well as playing the entire family of characters who attend the wedding.

Pranesh play out the male and female roles with an adroit combination of hilarious lip syncing and the use of his own tuneful and powerful voice. Most impressive are the tabla-like rhythms that he extracts from an old paint tin in his pursuit of happiness.We are carried along on the wave of the story, a story that, says Vivian, is a composite picture of the community he grew up in and and inspiration that stem from various 'Indian' communities within the Greater Durban area. The tale of the two brothers, the woman abused by her alcoholic husband, the grandparents longing for a child – all are grist to the mill of the story teller. Pranesh shoulders all the roles, giving each their weight and value, teasing out the comedic lines and giving full range to the dramatic tragedy that serves as the denouement. The human condition can be described as the unalterable part of humanity that is inherent and innate to human beings and is not dependent on factors such as gender, race or class. It includes concerns such as the meaning of life, the search for gratification, the sense of curiosity, the inevitability of isolation, or awareness regarding the inescapability of death. 

While Bhagwan (God) gave me this Life is almost 90 % Hindi, it was possible to follow the characters and their ranging emotions due to Pranesh’ expert acting and musicianship – ask anyone who has watched the piece already. One of the objects of this very worthwhile project is to take pride in mother tongue and to preserve its use, so ‘culture specific’ is to the point, yet it contains much laughter and 'edge of the seat' drama. Following back to back successes with lengthy runs at various venues in 2014/15, the play has been revived. So Come watch it at the Durban North Conference Centre on 02, 03, 04 & 05 May 2019. Tickets are R150 per person at COMPUTICKET online or at Shoprite / Checkers. 

The Outreach Foundation’s annual creative inter-generational project, Sounds Like You and Me, in partnership with Tswelopele Frail Care, premieres at the Constitution Hill Human Rights Festival on 23 March 2019. 

The project, now in its fourth production, see youth from Hillbrow’s Outreach Foundation and the elderly from Tswelopele Frail Care (also based in Hillbrow), explore music as a way to trigger sweet and bitter memories, and use true  accounts of the sad, joyous, reflective, funny, and at times, obscure and random stories and memories, to create an exciting theatrical experience. 

The show’s director, Gcebile Dlamini, has again assembled a stellar creative team to bring the show to life: Carmen Ho for the dramaturge, Bigboy Hadebe for choreography, and acclaimed African Jazz Pioneer musician, Madoda Gxabeka, as well as Quinton Mamabolo, for music. Together, Gxabeka and Mambolo will bring the nostalgic sounds of Jazz and marimba to the production. 

Over the last three years the inter-generational project has travelled from the Olive Tree Theatre in Alexandra, where it brought young and old to witness the production (for many of the elders, this was the first time they had ever been in a theatre), to PopArt in Maboneng, and to the Emakhaya Theatre at the University of the Witwatersrand (home to many Drama for Life Festivals). It has also travelled to Cape Town to the prestigious 19th ASSITEJ World Congress and International Theatre Festival for Children and Young People in 2017. 

In addition to its premiere on 24 March at the Constitution Hill Human Rights Festival, the project will perform at:  

Hillbrow Theatre - 30th March

South Rand Recreation Centre - 6th April

Tswelopele Frail Care Centre - 13th April

Gerard Fitzpatrick House - 27th April (Still to be confirmed)

Hillbrow Theatre (High Schools) - 17th April

Itlholomeleng Old Age Home (Alex) - Date still to be confirmed

National Arts Festival - July

For more information on the project, contact Outreach Foundation on 011 720 7011 or email This email address is being protected from spambots. You need JavaScript enabled to view it.. ‘Sounds Like You and Me’ are looking for sponsors and support to extend the tour to the National Arts Festival this year. Contact Outreach Foundation if you would like to fund or support the project.

The project has been made possible through the generous support of the Danish Agency for Culture. Outreach Foundation would also like to thank and acknowledge Henrik Haartman, Naghmeh Mahmoudi Kashani, and the C: NTACT team for inspiring this project.  

To view the second production of the project presented in 2017, young@home, go to https://youtu.be/oeMvDVQUp0k

#METAMORPHOSIS is UJ Arts & Culture’s 2018 programme of change.

“Looking at our creative programme through this thematic lens is the ideal stimulus for alignment with the University’s drive to participate meaningfully in decolonisation and transformation,” says Pieter Jacobs, Head of Arts & Culture (a division of the Faculty of Art, Design and Architecture) at the University of Johannesburg.

Drawing inspiration from the theme of #METAMORPHOSIS has seen UJ Arts & Culture plan to change more than its content. The 2018 programme features two brand new festivals as well as new partnerships that will increase opportunities for the university community, creative industries and the public to experience and participate in the arts. The programme is diverse, ranging from jazz, poetry and youth arts festivals to a music concert series, stand-up comedy shows, drama and dance seasons and an exhibitions programme.

"It is a great responsibility to play a role in shaping leaders of the future. And what better tool than the arts to develop the emotional and cultural intelligence to harness the knowledge and skills we acquire as we go through life,” says Jacobs. To this end, UJ Arts & Culture offers students and staff a robust programme to participate in the arts. Through the UJ Arts Academy, students, alumni and staff have access to a range of free dance and acting classes, poetry and drumming sessions or they could audition for theatre productions, the UJ Choir, UniJoh Chorale, jazz band, wind band or orchestra. Its student offering would not be complete without the hugely popular student talent competition presented annually and group tours to festivals and celebrations.

A key component of UJ Arts & Culture’s activities is its annual interdisciplinary collaborative FADA programme, launched in 2017 by the Dean of the Faculty, Professor Federico Freschi. Once again, this programme will see more than 300 students from departments across the faculty get involved in different design aspects of a UJ Arts & Culture-produced play as part of their course work.

“UJ Arts & Culture’s #METAMORPHOSIS programme is designed to advance the University’s vision of an international institution of choice, anchored in Africa, dynamically shaping the future. Bolstered by PhD residencies, local and international performing arts residencies, lectures, workshops and conferences, the Division strives to offer world-class opportunities to experience, participate in, and for empowerment through the arts,” concludes Jacobs.

#METAMORPHOSIS promises to appeal to art lovers with diverse interests:

VISUAL ART

Exhibitions Programme
For the fourth year in a row UJ Arts & Culture’s exhibitions programme will feature the PPC Imaginarium Awards. These awards, established by PPC Ltd, offer emerging designers and artists a platform to showcase their talent and creativity through the use of cement as a primary medium.

In May, the 300 Art Ornaments exhibition will showcase over 250 pieces collected by the UJ Jewellery Design and Manufacture Department over the past 10 years.
UJ Art Gallery in partnership with the Bag Factory will play host to Brazillian curator Daniella Géo, who delves into the Bag Factory’s alumni archives. TRANS will showcase the impact Bag Factory’s alumni have had on the art scene and the role it played in connecting the Johannesburg with the rest of Africa and the world.
UJ Arts & Culture, in collaboration with the MTN Foundation SA, presents Continuing Conversations, following the 2017 collaborative Shifting Conversations exhibition. The conversations continue in 2018, with works derived from both the MTN and UJ art collections as well as emerging artists with an addition of a mentorship and educational programme.
The 2018 UJ Arts Gallery calendar is set to close on a high with the celebration of 21 Years of The Ampersand Foundation, which rewards excellence in the visual arts by granting fellowships to young professional South African contemporary visual artists. Curator Gordon Froud brings works completed by such fellows together in this exhibition.

MUSIC

UJ Concert Series
Kicking off the UJ Concert Series is the re-launch of the University’s Steinway Concert Grand with Steinway artists Christopher Duigan, Charl du Plessis and Jill Richards featuring the rising star, Sulayman Human, in concert.

Presented in partnership with Pro Helvetia Johannesburg, Swiss group Hildegard Lernt Fliegen (Hildegard Learns to Fly) is a Swiss formation of avant-garde jazz, headlined by singer Andreas Schaerer. In 2014, the band received the BMW Welt Jazz Award, and subsequently toured Switzerland, Austria, Germany, Czech Republic, Slovenia, Estonia, Lithuania, Russia, Luxembourg, China, Italy, Finland, UK and France.

The programme will culminate in FADA’s major fundraising drive in support of the Dean’s Bursary Fund. Presented annually on the first Saturday of November, A Grand Night for Singing will feature familiar and new voices, the UJ Choir and the Johannesburg Youth Orchestra.

UJ Choir

In addition to performing at more than 20 graduation ceremonies and special events, the UJ Choir will perform alongside Hope College (USA) at the Rosebank Catholic Church and with Akustika Chamber Singers at SABC's M1 Studio in May. The highlight for UJ Choir's 2018 calendar includes, competing in the much-anticipated World Choir Games in early July.

UJ Choir, Tuks Camerata, and Puk-Koor will be performing in Koorkaleidoscope at the University of Pretoria's Musaion in August. UJ Choir's annual programme wraps up with its customary end year Celebration Concert at the end of October.

FESTIVALS

UJ Weekend of Jazz
Presented in celebration of Africa Day, the inaugural UJ Weekend of Jazz, is scheduled to take place at the UJ Art Centre from 24-26 May. This urban jazz experience, is set to cast a spotlight on exceptionally skilled emerging jazz musicians who are not afraid to experiment or disrupt the notion of jazz.

National Arts Festival
Keeping up the tradition, UJ Arts & Culture will present a substantive programme at the National Arts Festival with the translation of Reza de Wet’s iconic African Gothic (translation of Diepe Grond) headlining the UJ programme, which includes Choir Boy by Tarell Alvin McCraney, a music concert and STAGED, a new play development showcase.
UJ Youth Arts Festival
The new festival will cast a spotlight on some of the best new creative voices with students from other institutions, colleges and youth groups joining UJ Arts & Culture students in a showcase of acting, singing, dancing and making music. The festival will be hosted at the UJ Art Centre as well as at the Con Cowan Theatre in August.

Izimbongi Poetry Festival
UJ Arts & Culture’s grand finale after a year-long slam poetry programme with students, school learners and the public will take shape in the form of a week-long poetry festival featuring performances by professional and amateur spoken word artists, book launches, lectures, forum discussions and workshops.

THEATRE

Out the Box Comedy
Back by popular demand, UJ Arts & Culture will again team up with POPArt and Goliath & Goliath to present the Out the Box Comedy shows, culminating in a marathon of 20 comedians performing 5-minute sets each.

Choir Boy
Comprising a combination of student and professional actors, the play tells the story of a young man who wants nothing more than to take his rightful place as leader of the school's legendary gospel choir. Can he find his way inside the hallowed halls of this institution if he sings in his own key? After its premiere at the National Arts Festival, Choir Boy will be performed at the UJ Youth Arts Festival in August.

African Gothic
Set against the backdrop of a farm in desolate ruin, Reza de Wet’s, African Gothic (translation of Diepe Grond), tells the story of the complicated, passionate, and troubled relationship between two siblings. Presented in partnership with Joburg Theatres, the play will be presented at The Fringe following its run at the National Arts Festival in July.

Metamorphosis
As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. The staging of the play will be the culmination of a year-long process that involves more than 300 students and lecturers from different departments in the Faculty of Art, Design and Architecture (FADA) working on various design and development aspects of the work as part of their course work. Kafka’s Metamorphosis, adapted by Steven Berkoff will be tested in October with a view of undertaking full runs in 2019.

DANCE
MIDM’s 40th Anniversary Celebration Season proudly hosted by UJ Arts & Culture at the UJ Art Centre will comprise two programmes – the first will run from 14 to 16 September 2018 and the second in the following week from 20 to 22 September 2018.

SWAN, inspired by the famous ballet, Swan Lake, and the Japanese social phenomenon Hikikomori, the dance piece was built by Hannah Ma and Kesuke Mihara on Tchaikovsky’s music. SWAN will perform at the Con Cowan Theatre from 21 to 23 September 2018.

For more information visit UJ Arts & Culture’s new user-friendly website and booking system at www.uj.ac.za/arts

About UJ Arts & Culture

UJ Arts & Culture, a division of the Faculty of Art, Design & Architecture (FADA) produces and presents world-class student and professional arts programmes aligned to the UJ vision of an international university of choice, anchored in Africa, dynamically shaping the future. A robust range of arts platforms are offered on all four UJ campuses for students, staff, alumni and the general public to experience and engage with emerging and established Pan-African and international artists drawn from the full spectrum of the arts.

In addition to UJ Arts & Culture, FADA (www.uj.ac.za/fada) offers programmes in eight creative disciplines, in Art, Design and Architecture, as well as playing home to the NRF SARChI Chair in South African Art & Visual Culture, and the Visual Identities in Art & Design Research Centre. The Faculty has a strong focus on sustainability and relevance, and engages actively with the dynamism, creativity and diversity of Johannesburg in imagining new approaches to art and design education. 

Conrad Koch: Puppet Guy @ Baxter Golden Arrow Studio, 3 – 14 April 2018 - IN ASSOCIATION WITH COMEDY CENTRAL

It's official! Top South African ventriloquist and award-winning performer Conrad Koch is back to showcase his latest show offering at The Baxter Theatre in Cape Town, this April.

Proudly associated with Comedy Central, the double International Emmy-nominated comedian, is set to return to The Mother City for a two-week run of his brand new show, Puppet Guy, along with his famous puppet comrade, Chester Missing.

The much-anticipated, Puppet Guy, is billed as Koch’s most fun show to date, with a roller coaster ride of outrageous puppet characters and off-the-wall comedy ventriloquism. It's seen as a change of pace from Koch’s previously highly political work on stage – focusing on hilarious characters, funny observations and world-class entertainment.“This show is loads of fun for everyone, not just those who read the news,” says Koch.

It’s comedy mayhem as Chester Missing and Koch playfully battle each other: Chester demands equal rights for puppets and to not be put in suitcases. Two feather dusters and a slipper become Hilton, the dancing ostrich; sunglasses and a hoodie become a DJ who actually DJs, DJ Hoodie.

If that's not all, a brand new character has been introduced into the show. You’ll meet Africa’s most dangerous animal: a vegetarian mosquito. From the get go, fans will get a glimpse as to how Koch just wants to get through the show in one piece. Yes, we know he’s arguing with himself. It’s like Parliament.Puppet Guy has already been accepted into the Regina and Winnipeg Arts Festivals in Canada in July this year, and is on the waiting list for a number of other international festivals too.

So what makes the show unique? “The show is highly interactive. I use a cell phone, Snapchat and a projector to turn people in the crowd into digital puppets, hilariously teaching everyone how ventriloquism works, and, using ventriloquism masks, I find a member of the audience who actually thinks they’re a lion, voices and hunting skills included,” shares Koc

Puppet Guy kicks off at the Baxter Theatre from 3 – 14 April 2018. Tickets for this much-anticipated show can be purchased via Webtickets at either www.webtickets.co.za, and are priced at R120 each, discounted tickets are priced at R100 each.

You may also book tickets directly from the Baxter Theatre via 0861 915 800 or http://www.baxter.co.za. Johannesburg fans are in for a treat too! Puppet Guy will run from 25 April - 27 May at the The Studio Theatre at Montecasino. Tickets for the Johannesburg leg of the SA tour can be purchased via Computicket at either www.computicket.com or via Checkers and Shoprite retail stores, countrywide, and are priced at R165 each.Follow Conrad on Twitter: (@conradkoch). For up-to-date info, visit: Facebook page (MrChesterMissing) as well as Chester’s twitter too: @chestermissing

ABOUT CONRAD KOCH
Conrad Koch is one of South Africa’s most in demand comedy talents. He combines hilarious comedy with world-class puppetry, and has done so for over fifteen years to local and international acclaim.Conrad was the winner of the 2010 Entertainer of the Year award, and of a 2012 Standard Bank Ovation Award from the National Arts Festival. He was a nominee for 2014 SA Comic of the Year, and won The Times Comic’s Pen Award for 2014, and is a double International Emmy-nominated comedian.

He has worked all over the world, been featured on local and international television and is a frequent guest at some of South Africa’s biggest comedy events – Mass Hysteria, Blacks Only, the Smirnoff Comedy Festival, the Vodacom Comedy Festival, Metro FM Comedy Experience, etc.His most famous character, Mr. Chester Missing, was a regular on eNCA’s Late Nite News with Loyiso Gola; and his hit one-man shows have received standing ovations around South Africa. In 2015 Comedy Central Africa took him to Just For Laughs in Montreal, the world’s biggest comedy festival, where he recorded shows for both Comedy Central and Canada’s Comedy Network.

In 2017 Chester Missing attended the ANC’s elective conference at Nasrec with eNCA as an actual journalist, The Saturday Star describing him there as “justifiably the star of the show”.Conrad's outspoken political analyst puppet, Mr. Chester Missing, is fast becoming a household name. His television interviews with South Africa’s political elite have received wide acclaim. The use of a puppet to get political players to let down their guards is completely unique. In fact Chester Missing has been asked by the likes of City Press, Natal Witness, Reuters, the BBC, the Mail and Guardian, etc, to comment on political affairs.In 2014 Chester was the first puppet in history to be taken to court, and win. Chester Missing was one of New African magazine’s most Influential Africans of 2014, and You Magazine’s Most Influential People of 2014. Conrad and Chester were the first recipients of the Ahmed Kathrada Foundation’s Certificate of Appreciation for their stance against racism.Conrad has audiences in stitches by talking to himself through a variety of extremely eccentric characters. Self-ridicule has never been this fun.

Meet Mr. Chester Missing, satirical political analyst, Hilary, an ostrich made from two feather dusters and a slipper, and DJ Hoodie, a puppet made from a hoodie who actually DJs. The show is highly interactive – audience members hilariously become the puppets.

First show sold out, additional show added

The Imagine! Family Magic Spectacular, South Africa’s BIGGEST magic show returns to the charming Artscape Theatre in the Mother City on Saturday 28 May, 2016 and tickets are already vanishing faster that you can say “Abracadabra!”

Presented by the College of Magic, Cape Town’s only magical arts organisation, in association with the Artscape Theatre, Imagine! is a  beguiling adventure for the young and the young at heart. Whilst tickets for the first show at 12pm have vanished in a blink of an eye, an additional show at 3pm has been added to the line-up.

A magical extravaganza you’ll never forget, Imagine! features South Africa's top children's entertainers in a fantastical world filled with incredible illusions, dazzling magic, hilarious antics and fun-filled fantasy for the whole family. Boasting a cast of over 50 enthralling illusionists, jugglers, mimes, clowns and more, the show will once again be directed by Chad Findlay.

Celebrating 36 years of teaching the art of magic and its allied arts as well as vital life-skills to children and adults in 2016, the College of Magic, a non-profit organisation and the only one of its kind in the world, is thrilled about the public’s palpable excitement for the Imagine! Family Magic Spectacular:

“Magic has an amazing ability to bring people together for an unforgettable experience. To see the overwhelming demand for our show by Cape Town’s families and magic fanatics has been a welcome surprise and we look forward to entertaining all of you at the Artscape Theatre”, says College of Magic director David Gore.

Proceeds from the show will be used in aid of the organisation’s Umlingo Outreach initiative which provides holistic life skills to young people in need.

Limited tickets are available for the Imagine! Family Magic Spectacular at the Artscape Theatre on Saturday 28 May, 2016 at 3pm. Tickets are from R130 with discounts for family bookings. Book yours at Computicket before they vanish!For more information about the show and the College of Magic, please visit www.collegeofmagic.com or call +27(0)21 683 5480.